Who is Godzilla? And How to Draw Godzilla
Godzilla is a giant creature that first appeared in the movie Godzilla in 1954. The movie was directed and written by Ishiro Honda. Large monsters are called Kaijus. Kaijus are giant monsters with a distinct personality, that are of Japanese origin. Sometimes, Kaiju has also been referred to as any type of giant monster not necessarily of Japanese background. Godzilla has been called the King of the Monsters. He is the most famous Kaiju ever, with King Kong as a close second. Drawing lessons on him are so fun to follow.
There have been over 30 plus Godzilla movies, and with nearly every movie, there was a new Godzilla design. Some designs change ever so slightly, but some are a drastic departure from previous versions. On this page, l’m going to focus on Legendary Godzilla, first introduced in 2014 in the American Godzilla film, by Legendary Pictures. This version of Godzilla has appeared in Godzilla (2014), Godzilla: King of the Monsters (2019), Godzilla vs Kong (2021), and Godzilla x Kong: The New Empire (2024).
Versions of Godzilla
Every Godzilla has had some sort of real animal traits incorporated into their design, but this one, I feel, is more animal-like than any other version. The original Godzilla design was loosely designed with a dog’s head in mind. Legendary Godzilla takes direct influence from reptiles like monitor lizards and crocodiles. The head, in particular, is very similar to a monitor lizard.

Simple Godzilla Shapes
Simplified

Godzilla Head Drawing
Unique
Something unique to this Godzilla is that this Godzilla has gils on the side of his neck to breathe underwater. This version of Godzilla spends a large amount of time underneath water. It was highlighted when he first encountered King Kong in the 2021 movie. He was able to survive underwater, while King Kong was gasping for air. If you look at the way Godzilla swims, his motion is very similar to a crocodile’s swim. The smooth swimming motion gives Godzilla speed in the water, like no other Godzilla before him.

His facial expressions are relatively limited. While King Kong has a series of different expressions, because he has pliable lips, Godzilla’s range of emotion is much lower. Since Godzilla has no lips he emotes with his eyes. The most expressive this Godzilla has looked, was a very creepy smile he made throughout ‘Godzilla vs Kong”. The expression was made by lowering the front position of his snout and scrunching the skin around the lower section of his eyes. There hasn’t been much place for him to emote in the movies he has appeared in. The drama and story were centered around King Kong. Maybe in a future movie, Godzilla will have more reasons to emote. Its even a question if you need to go to art school to draw Godzilla.
Thicker
As mentioned before, Godzilla’s body is thicker and wider than previous versions, in proportion to his head. When you want to create a character that looks very large, shrinking his head is a great way to do it. This makes the overall body mass appear much larger. A good example of this is the Hulk. We intuitively use the size of the head as a base measuring tool for the rest of the body. This doesn’t apply to every Kaiju, but it does apply with this version of Godzilla. He had a distinct look in the Warner bros Godzilla movie.
Godzilla’s body is very human like, he stands and walks upright, even runs.
His arms are not as mobile or dexterous as a human’s arm, but they are structured like human arms. A Notable difference is he has 4 fingers on each hand. I used to draw him in art school for fun.
The original Godzilla would walk completely upright, dragging his tail behind him. This was mainly because of the limitations of the Godzilla outfit at the time. The Legendary version of Godzilla leans forward, to emulate real animals.

This is to use the tail as a counterbalance while walking.
It’s also used while he is swimming, very similar to the way a crocodile uses it. The other reason Godzilla walks with a forward lean, is to carry the massive plates on his back.
The plates on Godzilla’s back resembles a Stegasaurus. They are a large part of why Godzilla is famous. This gives Godzilla a very distinct and recognizable silhouette which is the basis of good character design.
Characteristic
The plates have had so many different iterations. Godzilla’s legs are massively thick for his body to support his giant skeletal structure. I’m guessing his legs were inspired by the feet of elephants and saurapod dinosaurs. Another feature that makes Godzilla very similair to dinosaurs is the construction of his legs. Godzilla goes straight downward from this torso, instead of going out the sides, like in lizards and reptiles.
Line Art vs Tonal Art
Drawing Godzilla in line art can be a very effective way to learn. Line art is art made up of mostly linear style. Think of comic books. This contained look can be very simple or it can be very elaborate. I recommend line art for initial learning because I think it helps learn Godzilla much
better. You learn many more surface shapes if you are forced to draw a line over it. Learning every little shape and crevice of Godzilla can force you to draw more deliberately and memorize landmarks.
Tonal drawing is when you use shadow and light to find your drawing shapes. This can be a very good way to draw when experienced, but I’m speaking to you as a beginner. I think when you start, tonal art can possibly be a way to hide things you don’t know about. This can be great for dramatic style, but it also can have you never pinpoint weaknesses in drawing. Facing your weaknesses early can be a large key to improving your Godzilla drawing from the start. It’s easy to hide things we don’t know behind dramatic lighting for effect.
Sometimes when you are good at dramatic lighting, it can be addictive, because the result is so nice without having to put in the ground work and really learning to draw.
After learning to draw with line art, then it’s a great idea to add on the dramatic atmospheric effects of lighting. This can be simple shading, which we will go over, or more compositional lighting. Line is the frame of the house holding up the building, and tonal drawing is the decorations on the house itself.
Be Creative and Learning to Draw
Be creative with the ideas you have Godzilla do. At the start, the entire point is to make drawing Godzilla a doable process. After that, anything goes. You can create more than the genera!
Godzilla pose, if you wish. Since Godzilla is a lumbering giant beast, he tends to be drawn in the same traditional poses. The creativity comes from altering his design slightly to suit the artist, or to pose him in creative ways or situations. Use what you know about drawing Godzilla to play with ideas. Situational ideas and creative posing will make you stand out more than how nice you render every scale on Godzilla’s head.

The Godzilla Drawing Comes Together
Conclusion
Drawing Kaijus is one of the greatest joys you’ll ever have. It’s amazing to draw the King of the Kaijus, Godzilla. Bringing together the entire process can be a really exciting experience. The things outlined on this page are to help you build a base of learning. But the real expression happens when you have some grasp of the basic steps I laid out for you. Stay consistent with your drawing because mistakes will happen.
Mistakes are a part of the learning process. You have to make thousands of mistakes in order to find your way to the path you want. Something that I tell everyone to enjoy the learning portion of Drawing Godzilla. Online Drawing Classes can help. Feel the inherent joy in the learning. If you always crave the result, it might make the learning miserable.